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It’s an issue that comes to a head on the elegantly dark “Funeral.” Then I’d get bored, and I’d say to myself ‘Well I can just be high and have a whole adventure right here in this room.’’’ 'It started with me sitting inside all day. “To have all that space was a pro and a con,” said Miller in an interview with FADER Magazine. However, this creative direction was triggered by more than just music. From the production and lyrical content to the cover art, something about Miller dabbling in hallucinatory rap simply fits his artistic aurora. In a discography littered with stunning musicality, the project that best portrays Mac’s personality, artistry, and sonic evolution has to be Faces.Īs the elegant saxophone and trippy drums cut in on the grandiose opener “Inside Outside,” and with lines like “All my homies philosophers,” and “On the inside, I’m outside all the time,” Miller establishes a motif that presents itself through a variety of artistic decisions throughout the album: psychedelia. “It felt like I could find myself through the music I was making.” I felt like I could really grow into my own creatively,” Miller said in the short film. As just a 20-year-old living on his own, the immensity of life under the spotlight paved the way for the creation of something new for Miller. Prior to the release of 2012’s Macadelic, Miller moved to Los Angeles. Affectionately referred to by many as the poster child of frat rap, Mac’s debut projects Blue Side Park and K.I.D.S afforded the Pittsburgh native a healthy, potent dose of fame. After bursting onto the early 2010’s rap scene, Miller had garnered immediate success due to the infectiously carefree nature of his work.

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